Terres de mémoire

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For the Terres de mémoire (Lands of Memory) project, I immersed myself in the history of the abandoned iron mine of Bispberg in Sweden—a site where my grandfather once worked. Using the vestiges of this industrial past—residual minerals, rusted metal, and charred wood—I formulate my own ceramic glazes and pigments for my paintings. These works form a mosaic of landscapes, conceived as modular installations of variable dimensions that carry the memory of this territory and my own family heritage.